The main character's problem is solved (and always by the character himself--no intervening hand of fate, no helpful adult stepping in, no discovery that it was all a dream).
[I would add that the main character doesn't always have to be the main person to solve the problem but he does have to add the critical element to the solution. For example, a child doesn't have to personally drive the sword through the evil warlord's heart as long as he somehow plays the critical part in making that action possible.]
She goes on to say that perhaps the main character only learns how to cope with the problem.
In any case...your reader must feel, "Yes, of course, that's the only way it could possibly have ended" and even if it came as a total surprise, your reader must be satisfied [and feel positive about the ending even if it isn't a happy one].
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